Sugato Mukherjee
Sugato Mukherjee is a photographer and writer based in Calcutta with bylines in The Globe and Mail, Al Jazeera, Deutsche Welle, Nat Geo Traveller, Atlas Obscura and Discovery, among others. While documenting humanitarian stories remains his priority, he equally loves to explore new destinations and write about them. Sugato’s coffee table book on Ladakh has been published from Delhi, and his work on sulphur miners of East Java has been awarded by UNESCO.
Articles by Sugato Mukherjee
On a breezy summer morning, I embarked on a tour of the villages of the Cotswolds. Famed for its quaint half-timbered buildings, overhanging upper storeys, and narrow alleyways, the villages of the Cotswolds possess undeniable charm. Small group tour leader Ian McKenzie led us from the university town of Oxford into the inner recesses of the Cotswolds. Designated as an Area of Outstanding Natural Beauty, the Cotswolds spread across five English counties—Wiltshire, Gloucestershire, Oxfordshire, Warwickshire, and Worcestershire.
The muddy waters of the Li River churn in the erratic wind that blows in. The weather is unusually inclement for a summer evening. Dark clouds hover above the pointed ridges of the Karst mountains to our north. Hwang stops rowing and points downstream towards a bend of the river. A couple of bamboo rafts have suddenly popped into view, bobbing in the water, slowly moving towards us.
Sidhpur is deeply rooted in both history and Hindu mythology. Since ancient times, the sleepy little town in North Gujarat, India, has been a sacred pilgrimage site among Hindu devotees who honor their maternal ancestors. The town rose to prominence during the rule of the Solanki Dynasty when it became the capital of the state and was named after the famous king Siddhraj Jaisingh.
Our 4x4 safari vehicle heaves and jolts through the deep recesses of the primeval forest. This is early March, and the dry deciduous jungle is laced with post-winter earthy shades of green. But the towering cotton and palash trees have splashed fiery red hues onto the canvas. The afternoon sun filters through the overhead canopy to illuminate the moss-ridden tract peppered with fragrant flowers and withered leaves.
Famous globally, the Uffizi Gallery boasts a rich repository of Italian Renaissance art. The grandiose Florentine building was commissioned in 1560 by Cosimo I de’ Medici, known as Cosimo the Great and first Grand Duke of Tuscany. Perched regally on the banks of the River Arno in Florence, the 16th-century edifice houses a staggering collection of paintings, sculptures, and decorative art in its storied interiors. The curated collective embodies the high Renaissance artistic style, representing an impassioned period of cultural, artistic, political, and economic rebirth of classical philosophy and art following a rather stoic Gothic period.
